Name researchers whose work examines the morphology, semantics and lexicology of names and naming may be interested in submitting an article for the scholarly journal Lexique (Lexicon). Articles should be submitted on or before March 1, 2019 and may not exceed 50,000 characters (including spaces, figures, and tables, but excluding references. The first issue of the journal is scheduled to be published in the second half of 2019. Please see the guidelines for submissions at the Lexique website.
After years of exclusive publication of thematic issues, Lexique will begin in 2019 the publication of non-thematic issues (“varia”). The purpose of the journal is to study the lexicon, both in and of itself and as a crossroads of other linguistic fields – morphology, lexicology, lexicography, semantics, computational linguistics, etc. It is intended for language sciences researchers and practitioners, coming from various theoretical backgrounds. Lexique welcomes papers submitted in French or English.






The Croatian Association of Researchers in Children’s Literature and the University of Zadar cordially invite researchers to submit a proposal for the 14th International Child and the Book Conference (CBC2019): Beyond the Canon (of Children’s Literature), Zadar, Croatia, 8 – 10 May 2019. For more information, please visit the Conference webpage
A new children’s literature journal based in Poland called Childhood: Literature and Culture is accepting articles in either English or Polish. They are devoting the first issue of the journal Dzieciństwo: Literatura i Kultura to consideration on the 21st century trend of adaptation of children’s literature – both film and TV series, presented on cinema and television screens and on streaming platforms (such as Netflix). What are the transformations of childhood constructs relative to literary prototypes? What tendencies are visible in film and TV series adaptations understood as reinterpretations of pre-text books? What literary works are the modern adapters most willing to use and what could be the reasons for their choices? Who is the hypothetical recipient of contemporary film and TV series adaptations?
